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Re-Release Day is Here
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Thar Be Pirates Afoot, Matey
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So, what do you do when you find out that Meta (a hydra-like multinational technology company consisting of Facebook, Instagram, WhatsApp and the harvested souls of countless smartphone zombies) has stolen 40 of your books & short stories to train its darling artificially intelligent monster how to think like humans and generate "original" content? That's right. You write about it.
According to the Authors Guild, 7.5 million pirated books (so far) have been used by Meta to train its AI. Whose works are included in this vast swath of stolen intellectual property? Type the author's name into this handy-dandy search engine, and you'll see that I'm in pretty good company: Stephen King, Margaret Atwood, John Grisham, Orson Scott Card, and JK Rowling, just to name a few.
Authors have no control over what readers do with our books after buying them. (Tear out all the pages to wallpaper the guest bathroom? Have at it.) If Meta wants to use my books, they're welcome to do so. But they need to pay me for my work. According to The Atlantic, it would have taken Meta over four weeks to legally acquire the amount of quality writing needed in order to compete with ChatGPT. And it would have been very expensive. Piracy was much cheaper.
I deleted my social media accounts years ago when our Silicon Valley Overlords started quashing and canceling free speech under the guise of fighting misinformation. So I'm not surprised by this latest dishonest venture. They are the kind of people who design addictive devices and apps for your children, but won't allow their own kids access to them. "Every good tree bears good fruit, but a bad tree bears bad fruit" (Matthew 7:17).
Good news: There's a class action lawsuit currently in the works, and every author of material used by Meta is automatically included in this battle against the forces of evil. We'll see how it goes.
Friday Freebie
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Writing Update
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It's been a couple months since my last check-in, so how are things progressing with Angels & Androids, the final installment in my Dome City Investigations trilogy? I'm so glad you asked. The going has been incredibly slow, but I've made it to the 65K mark. A minor victory. I've got about 25K left to draft, but I'm fairly certain where I'm headed at this point, so it should be a breakneck sprint to the finish. Plenty will need to be cleaned up later, but that's okay; this is just the sloppy copy.
Speaking of sloppy, I started writing it longhand a few chapters ago. We lost power for a couple days during a recent storm, and my laptop needed a charge, so I dug out an old spiral notebook and pen and got to work. Doubtful anybody else would be able to read my scrawling penmanship (at times, I struggle with it myself), but I've noticed that it's helped me to get my ideas down without stopping to edit as I go. And it's nice to take a break from the ol' computer screen now and then.
If I can manage between 500 and 1,000 words a day, I should be able to complete this draft by the end of the school year. That's my goal, and I'm sticking to it.
Book Review: Midnight, Water City
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Steampunk Sci-Fi or Gaslamp Fantasy?
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As a cross-genre writer, I'm often most comfortable whenever I can mix things up a bit, adding elements of science fiction to fantasy (and vice versa), horror to historical fiction, and comedy to all of the above. The weird western genre is one of my favorites, bringing the uncanny to the American frontier with monsters of all kinds. Overlapping that time period but set mainly in Victorian England are two genres I haven't dabbled in until now: steampunk science fiction and gaslamp fantasy. Trappings of both can be found in my novel Madame Antic's Hotel Grotesque, but what's the difference between these two subgenres?
New-ish Collection
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Blurb + Early Reviews
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